Irony in Guests of the Nation Essay -- Guests of the Nation Essays

Irony in Guests of the Nation In the short story, Guests of the Nation, Frank OConnor uses irony to illustrate the combat which men face when their roles as combatants force them to disregard the humanity of their enemies. In twain life and literature, irony exists when thither is a contrast betwixt expectation and reality. Verbal irony is defined as a jut out of speech in which the actual intent is expressed in lyric which carry the opposite meaning (Thrall 248). In dramatic irony there is a contrast between a characters perception of a military position and the actual facts. Often whatsoever of the actors on the stage or some of the characters in a story are blind to facts known to the spectator or reader (155) . The short story Guests of the Nation by Frank OConnor illustrates two types of irony. The title of the story, Guests of the Nation, is an example of verbal irony. In the story, the two Englishmen, Belcher and Hawkens, are non guests, but rather pri soners of the Irish soldiers, Jeremiah Donovan, Noble, and the teller, Bonaparte. The contrast between their real place as prisoners and their apparent role as guests is developed throughout the story. The narrator says that I couldnt at the time see the point of me and Noble guarding Belcher and Hawkins at all, for it was my belief that you could hit planted that pair down anywhere from this to Claregalway and theyd have taken root there like a native hatful (591). Thus it was obvious that the men had no intention of trying to make out they were behaving like guests. Because of the contented, nonthreatening demeanor of the two men, Bonaparte says that after the first sidereal day or two we gave up all pretense of keeping a close e... ... Belcher and Hawkins remain at ease, thinking themselves safe. In the end both Hawkins futile appeal to the friendship of his chums and Belchers resignation serve to emphasize the shame of the executions. Thus, in Guests of the Nation, Frank OConnor uses irony to illustrate the conflict that soldiers feel when they name the humanity of their enemies and yet they are compelled to kill them. OConnor suggests the soul destroying impact of the conflict in his final words And anything that happened to me afterwards, I never felt the resembling about again (598). Sources Cited Thrall, William flint, Addison Hibbard, and Hugh Holman. A Handbook to Literature. New York Odyssey, 1960. OConnor, Frank. Guests of the Nation. Literature for Composition. fourth ed. Sylvan Barnet, et. al. New York Harper Collins, 1996. 590-598.