Title: Interviewing the director of the toy Christmas Carol by Charles demon\n\nQuestions:\n\nWhat were your primary feelings while you re-create the Christmas Carol?\n\nHave you added a pinch of drama to the primary(prenominal) graphic symbol Ebenezer Scrooge to excise the audience?\n\nWhat was the to the highest degree have scene that characterized Dickenss attitude towards human vanity and greed?\n\n In your opinion, is it a book, a bestow, or 3D film version that stands a chance to impress the adolescent viewers most?\n\nWhich character of the play was the most thorny to cope with?\n\nWhile the 3D implies special effects, what are the chief(prenominal) features of your play that are incontest suitable to convince the spectators?\n\nDo you prevail that the wisdom of Christmas Carol is every bit important for children and adults?\n\nDo you have in mind people are able to change, even such of them as Ebenezer Scrooge, over time?\n\nDo you agree that this and differen t stories by Charles Dickens are undying and their timelessness is what we value most?\n\nAs a director, get out you further stage the stories by Charles Dickens?\n\nAre in that location each stage similarities in the midst of Christmas Carol and Oliver Twist, for example?\n\nWhat other plays, in your opinion, would be so warmly perceived by the public?\n\nWhere exactly was the play welcomed with the most warmth and detainment?\n\nDo you think any movie-stars can possibly record in Christmas Carol re-create in the future?\n\nHas the coeval consumer society much in common with Ebenezer Scrooge?If you wishing to get a complete essay, order it on our website:
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