Then the violins softly play, in the same Lambardi rhythm, that same motive, but starting on D instead of C and oddment on G instead of F. Then the orchestra loudly plays, in the dotted rhythm, the tonic chord, indeed the subdominant, to the dominant, back to the tonic, to the subdominant and to the dominant again, then back and forth a few times amid the Dominant and the tonic and then cadencing on the dominant. The next melody is played by the wind instruments and the string...If you want to get a full essay, order it on our website: Ordercustompaper.com
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